Sharka Bosakova’s 3D/OVA collection navigates this intersection with remarkable clarity, proposing a fundamental shift in how we conceive, create, and interact with wearable objects. Her work transcends conventional jewellery design by embracing transformation as both aesthetic principle and philosophical stance.’
This project was made possible by the Australian Government Regional Arts Fund, which supports the arts in regional and remote Australia.
Bosakova’s artistic practice centers on kinetic forms where objects possess multiple functions and appearances, encouraging physical engagement and individual creative expression. This approach reflects her belief that creating objects serves as a form of communication—a way to connect with others and open dialogues across disciplines and cultures. Her jewellery becomes a collaborative medium, inviting wearers to participate actively in the creative process rather than simply displaying finished works.
The revolutionary aspect of Bosakova’s work lies in its modular design philosophy. Using biodegradable plant-based filaments and recycled metals, she creates jewellery systems that transform through magnetic connections and interlocking components. A single brooch separates into earrings, necklaces extend or contract according to need, and components combine across different pieces to create entirely new configurations. This kinetic approach embodies her core philosophy of “carry less, create more,” where one versatile system replaces multiple static accessories.
The collection addresses pressing contemporary concerns about consumption and sustainability. In an era of fast fashion and disposable culture, Bosakova proposes jewellery that adapts rather than becomes obsolete.
The interactive nature of the 3D/OVA collection fundamentally redefines the relationship between wearer and worn object. Each piece invites physical engagement, transforming wearers into co-creators who reconfigure elements to suit their mood, outfit, or occasion. This participatory approach challenges the traditional passivity of jewellery wearing, instead creating dynamic relationships where touch and manipulation reveal new possibilities with each interaction. The jewellery becomes a toolkit for personal expression, where individual creativity shapes the final aesthetic outcome.
Her modular systems suggest a future where our accessories evolve with us, responding to our changing needs while respecting the materials that make transformation possible.
